WEBVTT - generated by Videoportal der Uni Paderborn

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Welcome to this presentation on “Using AI
in Higher Education – a brief

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legal overview.” We will be looking at some
key legal basics

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you should be aware of if you want to use generative
AI in your studies. There will also be

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a short aside covering the legal aspects of
students recording lectures.

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One quick note on the license—this presentation
is published under a CC BY-SA license. This
means

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you are free, for example, to share it with
others, (as long as you provide appropriate
credit and share it under the same terms).

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But let us start with the use of AI. The use
of generative AI systems in higher education
is

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now generally encouraged and well-established
– but teaching staff can decide

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whether it is allowed in exams. When using
AI, it is important to comply with

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legal requirements and, in this regard, to
respect the rights of others. A lot of things
that are technically easy

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to do can still be subject to legal restrictions.
Different areas

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of law can be involved here—like data protection,
personality rights—and

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in that context also fundamental rights—copyright
law, and the requirements set out in the EU
AI Act.

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Let us start with data protection law. It is
always about how personal

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data is processed and whether—or to what
extent—that is allowed. But what actually
counts as personal data?

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It includes, for example, names, contact details,
student ID numbers, and CVs, but also things
like a computer’s IP address

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that can be traced back to the account holder.
It can even

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include a handwritten math exam or an oral
exam. That means handwriting or

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a person’s voice can already be personal
data, because they might allow you to identify
the student.

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When you enter data into an AI system, personal
data is usually

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transferred to third countries – most often
the United States. This can include: your prompts,

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any files you upload, as well as your IP address,
and so on. These

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files – or data – are then processed by
the AI system and may even

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be used for training, depending on the settings
you have chosen. It is important to know

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that processing personal data always requires
a legal basis: either a

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law allows it, or the person has given consent
– but neither is usually the case.

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So, as a general rule: Do not upload or enter
any personal data

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into AI systems.  Exceptions may apply, however,
to AI systems hosted or installed locally on
your

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computer. Examples include Ollama or LM Studio.

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From a legal perspective, using such systems
is somewhat comparable

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to storing files on your own computer. From
a technical standpoint,

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you need to make sure your system has enough
RAM.   Let us now turn to the question of the
extent to

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which personal rights and fundamental rights
may be affected. If you use personal data,

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photos, and similar content in your prompts,
this may infringe

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on a person’s right to control their own
images and information. In such cases, there
may be violations of

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general personality rights, the right to the
protection of personal data,

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and the right to one’s own image, which is
considered part of general personality rights.

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As a general principle: Those affected have
the right to decide for themselves how their
data,

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photos, videos, et cetera are used. The problem
is: once data is in the system,

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it is very difficult to remove it again.

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So, keep in mind: your inputs can violate these
rights – as a rule of thumb, you should

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avoid this –at the same time, be aware that
there can be exceptions,

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for example when the information about a person
is already publicly accessible – for instance
the authorship

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of an article.   Now let us move on to the

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copyright perspective. This is interesting
in two respects: first, in terms of

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the input, and second, in terms of the output.
Let us start with the input –  that is,

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what you enter into the system, your prompts.
Working with your own drafts and materials

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is generally not a problem. However, the situation
can be different if you want to upload someone
else’s

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protected work. Academic papers, presentations,

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images, et cetera are usually protected by
copyright. Most AI systems

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also require, in their terms of use, that you
actually have the rights to whatever you upload.

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And more generally, you need copyright permission
for what

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you are doing—if it is relevant under copyright
law. There is no

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clear legal precedent for this issue yet, but
the prevailing view is that

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uploading content to AI systems is likely to
be considered copyright-relevant – specifically,
as a form of reproduction –

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so you would need permission.  At this point,
the key is to avoid copyright

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infringements and to use material that is either
no longer

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protected or licensed in a way that allows
you to use it—such as under a Creative Commons
license, for example CC BY

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or CC BY-SA. In those cases, you should generally
be fine.  Now let us move on to the output
side. To keep

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it short: in most cases, AI-generated output
is not protected by copyright. There is already

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an initial court decision on this from the
Amtsgericht München (Munich Local Court).
In that case,

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someone had created graphics using AI and multiple
prompts, but the court still

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found that the user’s personal creative contribution
was not sufficient, so no

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copyright protection applied. The reason is
that the AI system itself cannot be considered
an author, because it is

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not a natural person. As a result, the content
is effectively in the public domain—that
is,

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it can be freely used by others. However—and
this actually comes up quite often—

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AI-generated output can be further edited.
And that additional

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editing can lead to copyright protection, even
if the original material was AI-generated.

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In that case, it becomes important who made
those changes.

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If copyright protection arises—meaning the
work reaches the required level of originality—you
would need

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to ask that person for permission. You also
need to be careful if the output contains recognizable
reproductions of existing

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copyrighted works. In that case, you should
not use it further—or you

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should seek permission if you plan to do so.
The copyright assessment we just discussed

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also affects whether you can license AI output
under Creative Commons.

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That is because the possibility of using a
CC license depends on the type of material
you are

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dealing with. Are we talking about purely AI-generated
content?

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Or AI-generated content that you have further
edited? Or your own protected work that

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you have had processed by an AI system? One
key point to keep in mind is: Creative Commons
licensing only

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really makes sense if the material reaches
the required level of originality—otherwise,
there are no rights to license in the first
place.

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So, you always need to check whether the material
meets that threshold. If you are dealing

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with purely AI-generated content—so there
is no sufficient originality—you do not

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need a CC license. In that case, simply labeling
it as “public domain” is enough.

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If your own edits add enough originality, then
you can

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choose a Creative Commons license as you wish.
And if your original material was

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already protected—so it had sufficient originality—and
the

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AI’s contribution was only minor, you can
also apply a CC license of your choice.

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Let us now turn to labeling requirements for
AI-generated content.  As a general rule,

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transparency is helpful and advisable in most
cases—but

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at the moment, there is no general obligation
to label AI-generated content. However, academic
work

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is subject to the principles of good scientific
practice. According to Guideline 14 of the
German Research Foundation (DFG)

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guidelines on good academic practice, an author
is someone

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who has made a genuine and traceable contribution
to the content of a scientific work.

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So in general, it is important to be transparent
about how you worked and how

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you arrived at your results. And quite often,
there are also specific requirements

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set by examiners or included in declarations
of independent work.

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Such requirements can also arise from university
regulations,

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examination rules, or AI policies. So, if there
are specific rules,

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you definitely need to follow them—and make
your use

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of AI transparent accordingly. In many cases,
examiners will also specify how exactly this
should be done.

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For the sake of completeness, there is also
a legal obligation coming into force from August
2026. It applies to so-called

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“deepfakes”—that is, deliberately deceptive
AI-generated content—and

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to AI-generated information on matters of public
interest. These are

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usually not the main concern in student work,
but they are still worth mentioning here.

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Now let us move on to the second topic I mentioned:
unauthorised audio

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or video recordings of lectures by students.
It does happen that students

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want to record lectures—and not infrequently,
this is done

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without permission. Sometimes, these recordings
are even shared or published.

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The reasons can vary. For example, students
may want to review the material at

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their own pace, or they may be struggling to
understand certain parts. However, many people
are not aware

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that making such recordings can affect or even
violate a number of rights—fundamental rights,

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personality rights, copyright, data protection
law, and university regulations. In some cases,

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this can even have criminal implications. We
will take a closer look at

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which rights may be affected on the following
slides. Let us start with personality rights,

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or more broadly, fundamental rights. The general
right of personality, (which includes things
like privacy, control over one’s image, and
personal data),

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can be affected in several ways: the right
to self-determination and self-presentation,

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the right to one’s own words and voice, the
right to the protection of personal

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data, and the right to control the use of one’s
own image.

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It is important to keep in mind that this

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can affect both lecturers and students—especially
those who actively

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in class. But perhaps even more importantly,
both lecturers and

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students should be able to express themselves
freely, without having to worry about the public
impact of their words,

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their voice, or their appearance. Let us now
look at the relevance from the

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perspective of data protection law, university
law, and also house rules. As we have already
discussed, the processing

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of personal data—that is, recording, storing,
and sharing it—is

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only allowed if there is a legal basis. But
in this case, there is generally no such legal
basis—neither under

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the GDPR (DSGVO) nor under university law.
In addition, house rules—provided for in
the Higher Education Act of North Rhine-Westphalia
(NRW)—

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give the authority to decide whether recordings
are allowed in certain spaces.

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In practice, this authority is exercised by
the respective lecturers. So, the key point
is to avoid violations and to be

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aware of the value of an open and trusting
learning environment. Because if people

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feel that they are being recorded—or might
be recorded—valuable discussion and exchange,

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both with lecturers and among students, can
be lost.

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Now let us turn to copyright. Recordings can
also affect copyright,

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because the way teaching content is formulated
or presented—for example, longer passages
of text,

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full texts, or presentation materials like
photos, diagrams, or graphics—

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is often protected by copyright. Even the way
in which content is explained

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or discussed in a lecture or presentation can

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be protected. So, when recordings are made,
this creates reproductions of the teaching
and

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presentation materials—and that generally
requires permission, which is usually not given.

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This becomes even more relevant from a copyright
perspective if recordings are shared,

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posted on social media, or entered into generative
AI systems. So this

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is something you should refrain from doing
under any circumstances. Finally, a few words
on criminal law.

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In more serious cases, there can actually be
criminal consequences. Section 201

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of the German Criminal Code (StGB) protects,
among other things, the confidentiality of
the spoken word. It makes it a

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criminal offense to record or use speech that
is not intended to be public. So, when it comes

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to recording non-public lectures, criminal
liability under this provision cannot be ruled
out—

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especially if recordings are made secretly
and then

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shared on social media. So in summary: do not
make recordings—and definitely do not

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share them online. If you have ever thought
about recording a lecture,

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ask yourself how you or others would feel about
being recorded without consent—and instead,

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try to talk to your lecturer. We have now covered
a lot of important points—

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so thanks for sticking with me. Let us briefly
sum up the key takeaways:

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Treat other people’s data and their work
with respect when using AI systems.

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Purely AI-generated content can generally be
used freely—but if you further edit that
output,

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copyright protection may arise. If the AI output
contains third-party protected works,

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you need to be careful. Using a Creative Commons
license for AI output only makes sense if

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the material meets the required level of originality.
Refrain from recording lectures—and instead,

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try to engage with your lecturers to discuss
how things can be improved.

